An for Maus Essay Example

An for Maus Essay Example An for Maus Essay An for Maus Essay Essay Topic: Maus In his introduction to Art from the Ashes: A Holocaust Anthology, Laurence Lagner argues that Language, of course, has its limitations (3) when writing about the the holocaust. When witnessing the slaughter of children in Warsaw by the Nazis, Abraham Lewis wrote that there is nothing to be gained by expressing in words everything that we feel (3). Those experiencing the holocaust witnessed the limitations of language first hand, as their words were incapable of stopping the atrocities happening all around them. However, these same words, which so utterly owerless to the writer, exemplify the power of language by leaving behind a record of scenes that nothing but language could have captured for the future (4) In our contemporary context, the real limitations of language in relation to holocaust writing is not found in the first hand accounts, but rather in post-holocaust writing that attempts to apply familiar literary devices and tropes to events that are alien to the ordinary reader. Spiegelman, however, avoids using such literary cliches as heroism, hope, or the triumph of love over hate in Maus and Maus II. According to Lagner, ffective holocaust literature is an experience in unlearning (5), as both the writer and the reader must come to terms with abandoning all safe props in order to come closer to comprehending the holocaust experience. Therefore, because all cliches and conventions are abandoned in Maus and Maus II, readers are forced to confront the reality of the holocaust withou t the safety or preconceptions of the familiar, which is invaluable for helping us come to terms with and to understand an event so unthinkable. One of Spiegelmans most unconventional elements is using the form ofa graphic ovel to write a historical biography of a holocaust survivor. This form immediately places readers in an unfamiliar context, which is very effective in preparing them for the absence of familiar literary conventions. It is not difficult to find examples of individual panels in Maus and Maus II that effectively convey the raw unthinkableness of the holocaust. For me, there is one panel in particular in Maus that made me put the book down with the intention of never picking it up again. This is the seventh panel on page 108, which depicts a German soldier killing a Jewish child by swinging him by his leg and smashing him into a wall. It is not true that words unaccompanied by pictures always fail to convey Just how inhumane and unimaginable the holocaust was. For example, Lagners own description of the excremental assault a woman he interviewed endured while escaping from a Nazi round up attests to the ability of language to describe the unthinkable (6). Nevertheless, a drawing such as this one leaves nothing to the imagination. What is more, the graphic novel does not allow words to manipulate or mislead the reader. Instead, it provides a context where simple language can carry so much raw emotion without being cliche. The words accompanying this panel and the previous panel on page 108 of Maus are an example of this. The first panel reads: Some kids were screaming and screaming. They couldnt stop. The words accompanying the panel described above read: So the Germans swinged them by the legs against a wall .. .And they never anymore screamed (p. 108). I nere are no cllcnes In tnls norrenaous aeplctlon 0T tne cola- Dlooaea murder 0T children as young as two years old. When we look for some meaning in their demise, there is nothing there. According to Lagner, effective holocaust literature forces us to surrender.. the comforting notion that suffering has meaningthat is strengthens, ennobles, or redeems the human soul (p. 5). The acts of brutality that the Nazis carried out during the holocaust were not counter balanced in any manner by opposing acts of love, kindness or redemption. Instead, those subjected to its horrors, we forced into a survival mode that put individual preservation above all else. In both Maus and Maus II, there are acts of individual kindness, but these are not part ofa larger theme about community or the human condition. They are just about survival and circumstances, as is the case with Arts farther. It is clear from the two graphic novels that his surviving the holocaust was part luck and part ingenuity. The sheer luck and randomness of surviving the holocaust can be seen in the story he tells about getting stopped by a German soldier nicknamed The Shooter because he liked to randomly shoot a Jewish person everyday. The reason why the soldier did not shoot him was because of the last name, Spiegelman. The soldier knew Vladeks cousin, Haskel,who was chief of the Jewish police and collaborating with the Nazis. There are two situation involving Vladeks cousin that how there is no comfortable cliches for genuine holocaust literature. One of these situations involved Haskel helping Vladak, his wife and nephew get released from detention that would have resulted in their being taken to a concentration camp. Vladak was able to arrange for this to happen by paying his cousin to help. When Art learned this, he was shocked that Vladek had to pay his own family for help. As a result, he tells his father that even if he did not have the money, his cousin would have helped him. However, Vladak tells Art that he simply does not understand and t that time it wasnt anymore families. It was everybody to take care for himself! Another element that emerges in the Maus graphic novels is how much of a negative psychological impact the holocaust had on its survivors and on the children of its survivors. The Maus books do not glorify the holocaust by depicting Vladek as a man who survived this horrible event but learned and grew from it. Instead, the Maus books reveal that the holocaust left Vladek extremely emotionally and psychologically damaged. The fact that holocaust tainted everything that Vladek did can be seen right at the beginning of Maus. In the graphic novels first scene, we see Art as a child. In this scene, Art falls off his bicycle, but his friends do not wait for him. When he gets home, he is upset, so he tells his father what happened. With the help of how each panel is drawn and arranged, the full negative impact of the holocaust on Vkadek can be seen. When Art comes home crying, Vladek immediately starts to comfort him. In one panel, there is a close up of Vladek hugging Art, which clearly reveals how much he loves Art. However, when Art tells his father that his friends had been mean to him, the holocaust takes over. He tells Art If you lock them together in a room with no food for a week Then you could see what it is, friends! . It is clear that the holocaust had greatly ink acted Vladeks ability to be a patent. In fact, it tainted his perspective so much that it filled Art as well. This can be seen by the fact that he is writing the graphic novels as a method to try to understand his father as well as himself. The flaws that dominate Vladeks personallty are not a renectlon 0T tne reaeemlng nature 0T tne nolocaust. Instead, they are simply the result of surviving such a traumatic event.

History of Microscopes

History of Microscopes A microscope  is an instrument for viewing objects that are too small to be seen easily by the naked eye. There are many types of microscopes. The most common is the  optical microscope, which uses  light  to image the sample. Other major types of microscopes are the  electron microscope, the  ultramicroscope and the various types of  scanning probe microscope. Early Years Circa 1000 AD: The first vision aid was invented (inventor unknown)  and was called a reading stone. It was a glass sphere that magnified when laid on top of reading materials.Circa 1284: Italian inventor  Salvino DArmate is credited with inventing the first wearable eyeglasses.1590: Two Dutch eyeglass makers, Zaccharias Janssen, and son Hans Janssen experimented with multiple lenses placed in a tube. The Janssens observed that objects viewed in front of the tube appeared greatly enlarged, creating both the forerunner of the compound microscope and the telescope.1665: English physicist  Robert Hooke looked at a sliver of cork through a microscope lens and noticed some pores or cells in it.1674: Anton van Leeuwenhoek built a simple microscope with only one lens to examine blood, yeast, insects and many other tiny objects. Leeuwenhoek was the first person to describe bacteria  and he invented new methods for grinding and polishing microscope lenses that allowed for curvatures p roviding magnifications of up to 270 diameters, the best available lenses at that time. 1800s 18th century: Technical innovations improved microscopes, leading to microscopy becoming popular among scientists. Lenses combining two types of glass reduced the chromatic effect, the disturbing halos resulting from differences in refraction of light.1830: Joseph Jackson Lister reduces spherical aberration or the chromatic effect by showing that several weak lenses used together at certain distances provided good magnification without blurring the image. This was the prototype for the compound microscope.1872: Ernst Abbe, then research director of the Zeiss Optical Works, wrote a mathematical formula called the Abbe Sine Condition. His formula provided calculations that allowed for the maximum resolution in microscopes possible. 1900s 1903: Richard Zsigmondy developed the ultramicroscope capable of studying  objects below the wavelength of light. He won the Nobel Prize in Chemistry in 1925.1932: Frits Zernike invented the phase-contrast microscope that allowed for the study of colorless and transparent biological materials for which he won the Nobel Prize in Physics in 1953.1931: Ernst Ruska co-invented the electron microscope for which he won the Nobel Prize in Physics in 1986. An electron microscope depends on electrons rather than light to view an object.  Electrons are speeded up in a vacuum until their wavelength is extremely short, only one hundred-thousandth that of white light. Electron microscopes make it possible to view objects as small as the diameter of an atom.1981: Gerd Binnig and Heinrich Rohrer invented the scanning tunneling microscope that gives three-dimensional images of objects down to the atomic level. Binnig and Rohrer won the Nobel Prize in Physics in 1986. The powerful scanning tunnel ing microscope is one of the strongest microscopes to date.

Pressure Ulcer among Geriatric Pateints in Long Term Care Research Paper

Pressure Ulcer among Geriatric Pateints in Long Term Care - Research Paper Example The attitude of a caring nurse on any condition inflicting patient has either a direct or indirect outcome on the patient. Positive attitude has been given credence of a good outcome of the patient while negative one has had bad outcomes (Maklebust, 2000, pg.292). Knowledge of the nurse on condition of the patients also has been credited to a good outcome and the two (attitude and knowledge) work hand on hand. By knowing the attitude and knowledge, the research will unravel what is the reason beneath bad outcome and almost no sustainable pressure ulcer prevention on geriatric patients. First the literature will have the worldwide view of the title then narrow down my countries view of the subject. The literature review will only be done using scholarly material and journals of many authors of the subject. Then I will contrast and compare many of the scholastic journals authors view on the subject with keen interest on areas in which the authors are in disagreement while at the same time criticizes some aspects of the methodology. In the literature review, I will highlight exemplary studies and the gaps in the research while showing how my study relates to the previous studies and the literature in wholesome. Finally, a conclusion will be drawn by bringing into light what the literature says. This because the internal validity is at the core of inference and the study and is aimed to identify the area of more research, hell in human resource allocation and provide information about the existence of condition inclusion and exclusion

The Risk of Petrochemical Companies Research Paper

The Risk of Petrochemical Companies - Research Paper Example Contemporary industrial period greatly relies on the utilization of numerous capably hazardous chemical substances. Wastes of petrochemical companies are harmful. These risks could be divided into three criteria, namely, (1) ergonomic harm, (2) fires/explosion, and (3) environmental contamination. Apparently, the major problem is how to effectively decrease such potential hazards in petrochemical companies. Petrochemical companies belong to a chemical system dependent on the products of gas and oil, and related processing of natural gas and petroleum. Hazardous wastes, on the other hand, are those which create a considerable risk or possible danger to the health of living beings for these are naturally deadly, constant, and non-degradable. Hazardous wastes are basically toxic, reactive, corrosive, and flammable (Jasanoff 1994). Ergonomic harm is one of the risks of petrochemical companies. Ergonomics denotes the interface between human beings and the device and machine in the workpla ce. Workers in petrochemical companies are highly exposed to ergonomic harms, such as musculoskeletal disorders (common for workers of drilling companies), or diseases caused by toxic fumes or substances (Attwood, Deeb, & Danz-Reece 2004). Petrochemical companies are also prone to accidental fires or explosions due to their handling of fuels, such as hydrocarbons. Even though these accidents may be quite unusual, when they do happen the effects can be quite serious, such as financial damage, employee casualty, or public injury (Khan & Abbasi 1998). Lastly, petrochemical companies carry with it several environmental hazards, just like in China and Argentina wherein massive environmental catastrophes have brought about a cycle of damages to the health of the local population. Several of the materials most intensely demanded by people for their use are innately harmful. Petroleum, for instance, is an expedient energy source. This convenience, while making petroleum important, also is t he root of its risk. Numerous of the substances or materials used by the petrochemical industry are innately dangerous. Several of the procedures are dangerous as well. In order for petrochemical plants to operate with minimal risk, they should be properly planned and designed, and appropriate procedure and guidelines should be implemented in their operation and management. The safety of petrochemical plants has drawn a great deal of public attention due to a number of major accidents, several of which are identified as the following (Banerjee 2003, 2): the 1974 Flixborough explosion in which 28 were killed, 89 injured and severe damage caused to buildings, the 1975 Beek propylene release and refinery fire in which 14 were killed, the 1976 Seveso accident in which highly toxic substances were released to the environment causing contamination to wide areas with attendant health implications for the surrounding populace, the gas storage plant catastrophe near Mexico City at San Juan I xhuatepec (1984) in which about 500 people perished and extensive damage was done, the Bhopal toxic gas release (1984) in which about 3400 were killed and many more injured, etc. In every one of these accidents an explosion, a fire, or a

Matrix Essay Example for Free

Matrix Essay Paradoxical Hero In the movie The Matrix, the main character, Neo or Mr. Anderson, is liberated from his role as a slave to sentient machines by Morpheus, Neo’s supporter and leader, who later tells him the truth that, â€Å"the Matrix is everywhere†, functioning like an ideology. Morpheus tells Neo that, The Matrix is a system, Neo. That system is our enemy. But when youre inside, you look around, what do you see? Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system, and that makes them our enemy. You have to understand, most of these people are not ready to be unplugged. And many of them are so inured, so hopelessly dependent on the system, that they will fight to protect it. (Matrix) Morpheus goes on to satisfy Neo’s doubts by reminding him of the feelings he had within the Matrix that, â€Å"theres something wrong with the world, [†¦] like a splinter in [the] mind, driving [one] mad†. Neo, is distraught to the notion that the world he knew is a fabricated lie or â€Å"Camera Obscura,† mirroring a past world created by sentient machines in order to use his body heat for energy, in the post apocalyptic world of the late 22nd Century (Marx168). After Neo accepts the reality of his situation Morpheus then tells him that he is the â€Å"one†, or the individual who has the ability to defeat the machines and free humanity. Neo prematurely denies this title yet slowly acknowledges the concept of the Matrix and his connection to it but becomes painfully aware that, â€Å"there is a difference between knowing the path and walking the path(Matrix). Neo later accepts the role of the â€Å"one† and begins to display the qualities of a hero, with respect to his ability to alter the Matrix, but in his promise to save humanity some problems arise when one realizes the magnitude of the duty that is upon him. Though the character of Neo may not be seen as a heroic figure, because of his lack of power to change the mode of production and division of labor with regards to the â€Å"real† world, those are blinded by Karl Marx’s definition of revolution and choosing to ignore how it applies to Neo’s ability with such a fragile situation where the sudden realization of alienation among enslaved humans could bring either hope or despair. The Matrix â€Å"is a ‘representation’ of the imaginary relationship of individuals to their real condition of existence,† for the illusion of the Matrix is a mirror to the real world of the ‘pod’ person’s, i. . slaves of the machine, existence (Althusser53). Within the Matrix there is no escape for, â€Å"the Matrix is the world that has been pulled over [ones] eyes to blind [one] from the truth† that the real existence of those living within the Matrix are slaves. The Matrix and â€Å"real† world are corollaries of each other, for in both you are a slave to the machine, whether it is physical or ideological. In the Matrix you are subject to the ISA’s (Ideological State Apparatus) or the culmination of contrived social influences on ones life e. g. family, the media, religious organization and etc. while in the â€Å"real† world you are subject to the RSA (Repressive State Apparatus) or the machines who control and monitor ones existence (Althusser). Both the ISA and RSA in the film, The Matrix, use ideology and repression, though one more than the other, to mask the identify of those it is controlling by obscuring the inverted mode of production and division of labor as slaves. In Neo’s last speech to the machines he says, Im going to show these people what you dont want them to see. Im going to show them a world †¦ without you. A world without rules and controls, without borders or boundaries; a world where anything is possible. Where we go from there is a choice I leave to you. (Matrix) The contradiction in his motives arises from the reality of humanities dependence on machines for, â€Å"throughout human history, [humans] have been dependent on machines to survive. Fate, it seems, is not without a sense of irony†(Matrix). So the problem appears as to how Neo is going to change the way people create their physical existence if the rest of humanity is dependent on the slave’s byproduct of heat to support the machines.

Summary and Analysis of The Man of Laws Tale Essay -- The Canterbury

Summary and Analysis of The Man of Law's Tale Fragment II The Words of the Host to the Company and Prologue to the Man of Law's Tale: The host speaks to the rest of the travelers, telling them that they can regain lost property but not lost time. The host suggests that the lawyer tell the next tale, and he agrees to do so, for he does not intend to break his promises. He says that we ought to keep the laws we give to others. He even refers to Chaucer, who works ignorantly and writes poorly, but at the very least does not write filthy tales of incest. The Man of Law tells the company that he will tell a tale by Chaucer called the tale of Cupid's Saints. The lawyer prepares for the tale he will tell about poverty, and does so in a pretentious and formal manner. Analysis In the prologue to the Man of Law's Tale, Chaucer once again plays with the divergence between the actual author and the narrator of each tale with the lawyer's critical reference to Chaucer, as if he were not the actual architect of the tale's words. The lawyer's critique of Chaucer is playful, little more than a sarcastic jibe at Chaucer's own abilities and a critique of Chaucer's contemporaries not meant to be taken seriously. In fact, little that the lawyer says is momentous or significant. Chaucer portrays the lawyer as pompous and formal, addressing the motley crowd as if he were speaking to the court. The Man of Law's Tale, Part One: In Syria there dwelt a company of wealthy traders who made a journey to Rome. After a certain time there, they beheld Constance, the emperor's daughter, who was renowned equally for her goodness and beauty. When the merchants returned to Syria, they reported to the sultan what they had seen; he immediately ... ... Â ­ Constance survives and remains devoted to her faith. She is thus comparable to biblical characters such as Jonah and Job. Her final reward for her steadfast faith comes when she reunites with both her father and her husband upon her final return to Rome. Even in the fate of Maurice is the influence of Christianity felt. He becomes emperor of Rome only when the pope gives his assent. Epilogue to the Man of Law's Tale: The Host praised the Lawyer for his tale, and urged the Parish Priest to tell a tale. The Parson chides the Host for swearing, and he in turn mocks the Parson as a "Jankin" (a contemptuous name for a priest). The Shipman decides that he will tell a tale next. In the fragments that remain of the Canterbury Tales, however, the Shipman's Tale exists later in the manuscripts, in the seventh set of stories. The Wife of Bath's Tale follows instead.

The Pervasive Impact of Culture on International Negotiations

The pervasive impact of culture on international negotiations The primary purpose of this section is to demonstrate the extent of cultural differences in negotiation styles and how these differences can cause problems in international business negotiations. The reader will note that national culture does not determine negotiation behavior. Rather, national culture is one of many factors that influence behavior at the negotiation table, albeit an important one. For example, gender, organizational culture, international experience, industry or regional background can all be important influences as well.Of course, stereotypes of all kinds are dangerous, and international negotiators must get to know the people they are working with, not just their culture, country, or company. The material here is based on systematic study of international negotiation behavior over the last three decades in which the negotiation styles of more than 1,500 businesspeople in 17 countries (21 cultures) were considered. The work involved interviews with experienced executives and participant observations in the field, as well as behavioral science laboratory work including surveys and analyses of videotaped negotiations.The countries studied were Japan, S. Korea, China (Tianjin, Guangzhou, and Hong Kong), Vietnam, Taiwan, the Philippines, Russia, Israel, Norway, the Czech Republic, Germany, France, the United Kingdom, Spain, Brazil, Mexico, Canada (English-speakers and French-speakers), and the United States. The countries were chosen because they constitute America’s most important present and future trading partners. Looking broadly across the several cultures, two important lessons stand out. The first is that regional generalizations very often are not correct.For example, Japanese and Korean negotiation styles are quite similar in some ways, but in other ways they could not be more different. The second lesson learned from the research is that Japan is an exceptional place: On almost every dimension of negotiation style considered, the Japanese are on or near the end of the scale. For example, the Japanese use the lowest amount of eye contact of the cultures studied. Sometimes, Americans are on the other end. But actually, most of the time Americans are somewhere in the middle. The reader will see this evinced in the data presented in this section.The Japanese approach, however, is most distinct, even sui generis. Cultural differences cause four kinds of problems in international business negotiations, at the levels of: Language Nonverbal behaviors Values Thinking and decision-making processes The order is important; the problems lower on the list are more serious because they are more subtle. For example, two negotiators would notice immediately if one were speaking Japanese and the other German. The solution to the problem may be as simple as hiring an interpreter or talking in a common third language, or it may be as difficult as learning a languag e.Regardless of the solution, the problem is obvious. Cultural differences in nonverbal behaviors, on the other hand, are almost always hidden below our awareness. That is to say, in a face-to-face negotiation participants nonverbally—and more subtly—give off and take in a great deal of information. Some experts argue that this information is more important than verbal information. Almost all this signaling goes on below our levels of consciousness. When the nonverbal signals from foreign partners are different, negotiators are most apt to misinterpret them without even being conscious of the mistake.For example, when a French client consistently interrupts, Americans tend to feel uncomfortable without noticing exactly why. In this manner, interpersonal friction often colors business relationships, goes undetected, and, consequently, goes uncorrected. Differences in values and thinking and decision-making processes are hidden even deeper and therefore are even harder t o diagnose and therefore cure. These differences are discussed below, starting with language and nonverbal behaviors.

When Disruptive Technologies Attack

Christensen, in his article, it says that in the mainstream market, there is the idea of covering products that could sweep the mainstream trend in the market. This disruptive technologies appear not so in demand to the customers. However, as these disruptive technologies undergo improvement and continuously interrupt the flagship of the mainstream industry, it would make sense to the customers until it overrun the modern and mainstream trend in the market.And companies would tend to look for those products that have potential of being disruptive technologies, then eventually send it to the market and disturb the noise of the mainstream by the commotion of its disruption. Among the examples that have been presented by Christensen, I was most persuaded by his citation of the hard disk and its development in the industry. This example could be witnessed by every one of us.Aside from the fact that he presented a recent study on the particular hard disk industry, the hard facts and the d ata presented in the text were all comprehensive such that it showed clearly the trend of how the hard disks became one of disruptive technology. Also, nowadays, we really witnessed and experienced the disruption of hard disk industry especially those who owned a personal computer or computer notebook. This could be more appreciative in terms of the people and readers for them to understand more about the disruptive technologies and hot it works. There are different ways in which companies make these disruptive technologies.One of their way to come up with such product is through identification of the potentiality of a product, that is, if it could be disruptive or not. They use some basis like the supporters of the product to come out in the market. Obviously, those in higher positions like managers and marketing officers would disagree in disruptive technologies sine the incentive of making profit here is at high stake. Another way is that companies locate the target project after identifying one product if it is disruptive or not. In this case, they prefer the target which has lower risk of emerging the product as threat or otherwise, it would be a threat.It is one of the most critical ways since it would determine the outcome of being a disruptive product to the industry. And still, another way is the establishment of an organization that would be a fixed factor for the disruptive product to surpass the mainstream market. At this point, well established companies are mostly the ones who could form such organizations which are often called disruptive organization. At one point or another, Christensen’s thesis has managed to present all sides in the aspect of emerging disruptive technologies. Thus, no points of rebuttals could make sense after the good presentation of the trend and processes. Reference: Brower, J. L. and Christensen, C. M. (undate). Disruptive Technologies, Catching the Wave. Harvard Business Review ON POINT. Retrieved on September 27, 2007 from Harvard University Online Library on the World Wide Web: http://www.hbsp.com/relay.jhtml?name=mylibraryWhen Disruptive Technologies Attack

Definition and Examples of Decorum in Rhetoric

Definition and Examples of Decorum in Rhetoric In classical rhetoric, decorum is the use of a style that is appropriate to a subject, situation, speaker, and audience. According to Ciceros discussion of decorum in De Oratore (see below), the grand and important theme should be treated in a dignified and noble style, the humble or trivial theme in a less exalted manner. Examples and Observations Decorum is not simply found everywhere; it is the quality whereby speech and thought, wisdom and performance, art and morality, assertion and deference, and many other elements of action intersect. The concept underwrites Ciceros alignment of the plain, middle, and elevated oratorical styles with the three main functions of informing, pleasing, and motivating an audience, which in turn extends rhetorical theory across a wide range of human affairs.  (Robert Hariman, Decorum. Encyclopedia of Rhetoric. Oxford University Press, 2001) Aristotle on Aptness of Language Your language will be appropriate if it expresses emotion and character, and if it corresponds to its subject. Correspondence to subject means that we must neither speak casually about weighty matters, nor solemnly about trivial ones; nor must we add ornamental epithets to commonplace nouns, or the effect will be comic... To express emotion, you will employ the language of anger in speaking of outrage; the language of disgust and discreet reluctance to utter a word when speaking of impiety or foulness; the language of exultation for a tale of glory, and that of humiliation for a tale of pity and so on in all other cases.This aptness of language is one thing that makes people believe in the truth of your story: their minds draw the false conclusion that you are to be trusted from the fact that others behave as you do when things are as you describe them; and therefore they take your story to be true, whether it is so or not.(Aristotle, Rhetoric) Cicero on Decorum For the same style and the same thoughts must not be used in portraying every condition in life, or every rank, position, or age, and in fact a similar distinction must be made in respect to place, time, and audience. The universal rule, in oratory as in life, is to consider propriety. This depends on the subject under discussion and the character of both the speaker and the audience...This, indeed, is the form of wisdom that the orator must especially employto adapt himself to occasions and persons. In my opinion, one must not speak in the same style at all times, nor before all people, nor against all opponents, not in defence of all clients, not in partnership with all advocates. He, therefore, will be eloquent who can adapt his speech to fit all conceivable circumstances.(Cicero, De Oratore) Augustinian Decorum In opposition to Cicero, whose ideal was to discuss commonplace matters simply, lofty subjects impressively, and topics ranging between in a tempered style, Saint Augustine defends the manner of the Christian gospels, which sometimes treat the smallest or most trivial matters in an urgent, demanding high style. Erich Auerbach [in Mimesis, 1946] sees in Augustines emphasis the invention of a new kind of decorum opposed to that of the classical theorists, one oriented by its lofty rhetorical purpose rather than its low or common subject matter. It is only the aim of the Christian speakerto teach, admonish, lamentthat can tell him what sort of style to employ. According to Auerbach, this admission of the most humble aspects of daily life into the precincts of Christian moral instruction has a momentous effect on literary style, generating what we now call realism.  (David Mikics, A New Handbook of Literary Terms. Yale University Press, 2007) Decorum in Elizabethan Prose From Quintilian and his English exponents (plus, it must not be forgotten, their inheritance of normal speech patterns) the Elizabethans at the end of the [16th] century learned one of their major prose styles. [Thomas] Wilson had preached the Renaissance doctrine of ​decorum: the prose must fit the subject and the level at which it is written. Words and sentence pattern must be apt and agreeable. These may vary from the condensed native maxim like Enough is as good as a feast (he recommends Heywoods proverbs which had recently appeared in print) to the elaborate or exonerated sentences adorned with all the colours of rhetoric. Exoneration opened the wayand Wilson provided full examplesfor new sentence structures with egall members (the balanced antithetical sentence), gradation and progression (the paratactic cumulation of short main clauses leading to a climax), contrarietie (antithesis of opposites, as in To his friend he is churlish, to his foe he is gentle), the series of sentences with like endings or with repetition (like opening words), plus the verbal metaphors, the longer similitudes, and the whole gallery of tropes, schemes, and figures of speech of the last few decades of the 16th century.  (Ian A. Gordon, The Movement of English Prose. Indiana University Press, 1966)

What Is Purple Prose (and 4 Expert Tips on Fixing It In Your Writing)

What Is Purple Prose (and 4 Expert Tips on Fixing It In Your Writing) What Is Purple Prose? And How to Avoid It Most of us have committed the sin of purple prose at one time or another - and many find it hard to shake, even as experienced writers. It can sometimes be hard to tell good description from bad, leaving lots of writers worried about accidentally sounding â€Å"too purple.†But worry no more! This guide will take you through all the ins and outs of that pesky, pernicious prose, from its precise definition to how to prevent it in your writing. How to make your prose less purple and more powerful What is purple prose?Purple prose is overly embellished language that serves little meaningful purpose in a piece. It’s characterized by strings of multisyllabic words, run-on sentences, and blocks of unyielding text. Universally discouraged by all manner of writing experts, purple prose slows the pace, muddles the content, and can lose the reader entirely.If you’ve never read purple prose before, it sounds something like this:The mahogany-haired adolescent girl glanced fleetingly at her rugged paramour, a crystalline sparkle in her eyes as she gazed happily upon his countenance. It was filled with an expression as enigmatic as shadows in the night. She pondered thoughtfully whether it would behoove her to request that she continue to follow him on his noble mission†¦Ã‚  Very difficult to get through, no?Purple prose doesn't always persist throughout the entirety of a piece - it can also pop up every so often in â€Å"purple patches.† But even a few "purple passages" can disrupt your reader. This is because:1. The writing draws attention to itself and away from the narrative  or thesis.2. It’s too convoluted to read smoothly and can disrupt the pacing of your story.So why, despite its many drawbacks, do some writers continue to use such unnecessarily ornate language? The answer, ironically, is simple: to try and appear more â€Å"literary.†Think of purple prose as a cardboard cutout of a celebrity. From a distance it looks convincing, even impressive - but as you draw closer, you realize there’s nothing behind it. Purple prose is like that: beautiful from afar, with very little substance to it.What's the most purple thing you've ever written? Just for fun, leave it in the comments below!

Nando's Opening Restaurant in Hong Kong - Business Plan Essay

Nando's Opening Restaurant in Hong Kong - Business Plan - Essay Example In certain countries, Nando's has other savor selections like Mediterranean or mango and lime. This paper looks at the 9-steps business model for Nando’s Opening a restaurant in Hong Kong, China. Destination Introduction – Hong Kong Contemporary Hong Kong has a primarily service-centered economy (Hong Kong Census, 2007),  plus restaurant industries serve as a chief economic provider. With the third-thickest population per square meters in the whole world plus harboring a populace of around 7 million (Hong Kong Statistics, 2007),  Hong Kong is host to a restaurant business with powerful competition. Because of its small geographical proportions, Hong Kong comprises a great number of restaurants per unit area. The target clientele of the Nando’s is people from all walks of life. ... Business receipts in record chief service industries increased in worth in the second quarter for year 2008 over the same passe last year. Restaurant business receipts propagated 15.3%, while those for blanket retail, plus import and export line of work, up surged 14.3% and14.1% (www.news.gov.hk). Franchising in Hong Kong Hong Kong is a perfect destination for Nandos’. Private surveys and social networking web sites reveal that a huge number of people in Hong Kong are want Nando’s to start in Hong Kong as the ‘Peri Peri’ taste of chicken is traditional of Nando’s. The notion of franchising has been rising in Hong Kong for the preceding decade. More than 80% of the franchise maneuvers in Hong Kong have foreign basis. Home-grown franchises have also established, particularly in catering (Li, 2010). Location Target location to open the Nando’s restaurant in Hong Kong is at Wellington Street right besides Stanley Street, Queens Road. Nando’ s first branch will be right beside the ‘Kee Club’ (Please click the link in the references section to view the location). The purpose for choosing this spot is that offers a perfect location to start a chicken restaurant business. It has empty apartments for new entrants as well as full-functioning restaurants. Another attraction for choosing this location is ‘Yung Kee’ restaurant, which has the specialty in cooking goose and ducks. Our project, Nando’s is a master in chicken and its products. ‘Yung Kee Restaurant’ will serve as a supplement for our business – they will be serving ducks and goose and here in our restaurant, we will be serving chicken and its related products and sauces (Google Maps, 2011). Other restaurants on the opposite side of the road include Tsui Wah